Tosca, Floria Tosca
“Greenwood has a vocal capital that benefits this operatic thriller… very present in the outbursts of the second act and always with a beautiful legato.”
Jürgen Scharf, Die Oberbadische
Tosca, Floria Tosca
“Eleanor Greenwood impresses with her luminous voice… In her debut in this flagship role of all prima donnas, she impresses with the lavish fullness and bravura of her soprano and expressive playing.”
Roswitha Frey, Badische Zeitung
Turandot, Turandot
“Eleanor Greenwood shone as the titular Turandot, her commanding presence matched by a voice that soared effortlessly over the ensemble with an incredible delicacy and balance.”
Brent Muirhouse
Götterdämmerung, Dritte Norn
“Also of note was sumptuous mezzo-turned-soprano Eleanor Greenwood… as Third Norn. Greenwood sings Sieglinde in another cycle and a future as a lirico-spinto soprano looks secure.”
Deborah Jones, Limelight Magazine
Götterdämmerung, Dritte Norn
“Of the Norns, Eleanor Greenwood stood out. Greenwood has an enormous voice.”
Peter Rose, Australian Book Review
Götterdämmerung, Dritte Norn
“Greenwood’s resplendent vocal power [was] particularly impressive… something worth a trip to Bendigo to hear.”
Heather Leviston, Classic Melbourne
Götterdämmerung, Dritte Norn
“This Macbeth-like trio was well sung… and a very fine soprano contribution from Eleanor Greenwood.”
Sandra Bowdler, Bachtrack
Fidelio, Leonore
“Eleanor Greenwood’s punchy ‘Abscheulicher’ from Beethoven’s Fidelio was a highlight… with her fierce on-stage intensity capturing the audience’s attention immediately.”
Paul Ballam-Cross, Limelight Magazine
Fidelio, Leonore
“Eleanor Greenwood as Leonore in Beethoven’s Fidelio could be opera’s answer to pop star Alanis Morrisette.”
Gillian Wills, ArtsHub
Maria Stuarda, Elisabetta
“Greenwood is stunning in this role, singing with power, agility and beautiful, bright tone. Strong acting skills enhance her evocative performance… Greenwood is a singer to watch.”
Patricia Maunder, Limelight Magazine
Maria Stuarda, Elisabetta
“Greenwood’s rich, penetrating and fleshy soprano is perfectly suited to Elizabeth’s dark domination… a sign of an exciting career ahead.”
Paul Selar, Australian Arts Review
Maria Stuarda, Elisabetta
“Eleanor Greenwood has a more dramatic voice and was an imperious Elizabeth. Their confrontation was electric.”
Graham Ford, Graham Ford Reviews
Maria Stuarda, Elisabetta
“Eleanor Greenwood must be celebrated for her portrayal of Elizabeth I, she captivated the audience with her versatility and virtuosity.”
Roslyn Foo, Glamorazzi
Maria Stuarda, Elisabetta
“Here, she sang ringingly, at her best in the prize fight with Mary, matching Dix in terms of volume, range and histrionics.”
Peter Rose, Australian Book Review
Wagner, Verdi and Mascagni excerpts
“Her dramatic sensibility and fine singing… demonstrated that she is a singer to watch in the future.”
Len Power, Canberra City News

