Albert Herring, Nancy
“As Sid’s girlfriend Nancy, Anna Elizabeth Cooper is sweet-toned and engaging”
Richard Morrison, The Times
Albert Herring, Nancy
“Superb singing and playing anchor ENO’s first-ever Albert Herring. The catalysts, Dan D’Souza’s Sid and Anna Elizabeth Cooper’s Nancy, spark the evening into life: their collusion has warmth and bite, their duet actually tells the story, and their stage business around the lemonade is crisp, motivated and funny…”
Keith McDonnell, Music OMH
Albert Herring, Nancy
“Dan D’Souza and Anna Elizabeth Cooper (Sid and Nancy) are a delight, cheeky, energetic, and perfectly in tune with each other, bringing vibrancy and life to every scene they share”
Sarah Monaghan, All About Theatre
Kings, Witches, Lovers & Souls
“Anna Cooper’s rich, powerful mezzo soprano voice sang us through the storylines…the standout performer was Anna Cooper, whose force of charisma, both in voice and stage presence, led the whistle stop tour safely through to the end.”
Matthew Connolly, Classical Source
The Duchess of Padua, Ferranti
“Playing Ferranti, Anna Elizabeth Cooper boasts a powerful voice, with maturity in her lower register. She handled the score with control and intensity, moving from naive idealism to a striking dramatic edge.”
Susannah Moody, Bachtrack
Così fan tutte, Dorabella
“Whenever Anna Cooper was on stage I could not take my eyes off her. A commanding presence, with total identification and expressive detail. Her ‘E Amore un ladroncello’ was particularly memorable. An artist to watch.”
Malcolm Fawcett, Theatre Director
Eugene Onegin, Olga
“Anna Elizabeth Cooper stands out for vocal agility and clear phrasing.”
The Art Desk
Eugene Onegin, Olga
“A delightful Olga, vibrant and full of life, with a lightness in the voice that feels youthful and immediate.”
Planet Hugill
Eugene Onegin, Olga
“Their pairing was inspired, a complete joy.”
Art Muse London
Il mondo della luna, Lisetta
“Terrific stage presence and consistently stylish phrasing.”
Colin Clarke, Seen and Heard International
Trouble in Tahiti, Dinah
“Anna Cooper’s mezzo carries the emotional weight of Dinah’s distress with clarity and colour.”
Peter Reed, Classical Source

