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Giovanna 2024 |
“…Sarah-Jane Lewis caught the ear as Giovanna…” Martin Kettle, The Guardian |
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Sister Dolcina 2024 |
“There were also fine cameos from… Sarah-Jane Lewis as the greedy Sister Dolcina…” Dr Adrian York, London Unattached |
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Sister Dolcina 2024 |
“…Sarah-Jane Lewis’s cake-eating comedic turn as Sister Dolcina…” Stuart King, London Office |
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Performance 2021 |
“…sung with rich tone by Sarah-Jane Lewis…” Zoe Anderson, The Independent |
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Performance 2021 |
“…sublimely sung live by Sarah-Jane Lewis…” Teresa Guerriero, Culture Whisper |
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La Marchesa del Poggio Un giorno di regno 2019 |
“There was a lovely plangency to Sarah-Jane Lewis’ tone as the Marchesa…” Robert Hugill, Planet Hugill |
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Giorgetta Il tabarro 2018 |
“A young British soprano who shook the very fabric of the Maltings with her tonally gorgeous and dramatically distressing assumption of Giorgetta…” Mark Valencia, WhatsOnStage |
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Performance 2017 |
“Sung with blood-quickening passion by Sarah-Jane Lewis.” Neil Norman, The Stage |
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Performance 2016 |
“Sarah-Jane Lewis captivated with a remarkably sumptuous yet cleanly contoured timbre and she shaped her words seductively.” Yehuda Shapiro, Opera Magazine |
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Giorgetta Il tabarro 2016 |
“At least as powerful a portrayal of the role I have heard… the rich-toned Giorgetta of Sarah-Jane Lewis, whose plight and character could not have done more to engage our sympathy.” Mark Berry, Seen and Heard International |
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Recital 2015 |
“Lewis has a rich, creamy textured voice with a great warmth to it, and a lovely evenness across the range. It is potentially quite a big instrument… Though her voice has a strong operatic potential, she is clearly a gifted recitalist.” Robert Hugill, Planet Hugill |
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Recital 2014 |
“Sarah-Jane Lewis has a warm, capacious soprano, its strength powerfully contained and focused throughout its wide register. And her wonderfully serene and assured stage presence reaches out to her audience whether in the beautifully tapered phrasing of her Debussy, the stature of her operatic Wagner or the compelling simplicity of her Frank Bridge.” Hilary Finch, The Times |
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Isolde Tristan und Isolde 2013 |
“Wow, she’s good! She sang with confidence, her high and long-held notes were totally certain and centred, and she really seemed involved with the story’s denouement. Sarah-Jane Lewis’s voice is glorious, and she doesn’t lack for vivid portrayal either.” Colin Anderson, Classical Source |
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Young Singers to Look Out For 2012 |
“Astounding. In terms of tone, one of the most beautiful voices I have ever heard in live performance. The sound reminds me of Jessye Norman spliced with Te Kanawa.” Capriccio Blog |
Sarah-Jane Lewis | Reviews
