Rigoletto | Theater Freiburg

“Cassandra Wright’s Gilda is the great discovery of the evening.”

Badische Zeitung

“Cassandra Wright gives Gilda a slender soprano capable of stratospheric heights.”

Kultur Joker

Kultur Joker also praised Wright and Juan Orozco for a “deeply moving” final duet.

Werther | Theater Freiburg

“Cassandra Wright gives Sophie something light and childlike. Her bright, clear soprano suits the role beautifully.”

Klassik begeistert

The Rake’s Progress | Royal Academy Opera

“Cassandra Wright’s Anne Trulove also gleamed, if more brightly, a tower of vocal and moral strength in her showstopper Act 1 finale.”

Bachtrack

“On a solo level, Cassandra Wright’s Anne stands out. Her sensitive interpretation of the ‘Quietly, Night’ aria need not shy away from international comparisons. Wright commands a powerful, yet lyrical soprano with a silky velvety treble.”

Opernwelt

Le nozze di Figaro | Royal Academy Opera

“Cassandra Wright imbues purity and sincerity with her flawless soprano.”

Neue Musikzeitung

Imeneo | Royal Academy Opera

“Wright shaped Rosmene’s melodies with an aptly nonchalant gracefulness, then rose to the dramatic and vocal heights required for her mock mad scene.”

Opera Today

Knussen | London Philharmonic Orchestra

“Moving between humming and full voice, Wright had a freedom of utterance that seemed perfectly suited to Knussen’s score.”

Seen and Heard International

“Knussen’s Songs and a Sea Interlude from the opera Where the Wild Things Are, a triumph both compositionally and for the Australian lyric soprano Cassandra Wright.”

Seen and Heard International

Alcina | Theater Freiburg

“Maeve Höglund in the title role, Cassandra Wright as her sister Morgana, Yewon Kim as Bradamante and Sara De Franco as Oberto offer a musical feast of the highest order.”

Auf der Bühne

Representation Worldwide.