“The chief virtue of Bradley Daley’s Siegfried was the clarity of his diction allied to vocal stamina… it was in dying, and the tender memory of his love for Brünnhilde, that he engendered most sympathy.”

“The open-faced Bradley Daley created a rounded character whilst singing subtly, tirelessly, and with firm, strong top notes… better than many of the current Siegfrieds.”

“Bradley Daley’s vocal stamina was remarkable… his Heldentenor alluringly lyrical and punctuated by brilliant, rock solid top notes.”

“Daley clearly conveys every beat of Siegfried’s final recollection with moving passion, making the character’s death all the more tragic.”

“A memorable performance in this toughest of roles… sung with great accuracy and power.”

“Daley employs a deeply penetrating heldentenor with searing intensity as the courageous, passionate and doomed hero.”

“Daley expresses Siegmund’s heroism and grief with an assured, agile tenor.”

“With apparent ease, Daley provides clarion heldentenor vocals, ringing with heroic notes.”

“Daley’s Siegmund is lustrous and powerful… he already has Siegfried in his repertoire.”

“In superb voice… opening Act II with a fearless high G, his tenor never falters.”

“A true heldentenor delivering a warm, dynamic performance.”

“A youthful Siegfried who sings with ease… with glittering strength in the upper register.”

“A heroic, agile tenor voice… leaping the demanding vocal line with ease and power.”

“Spot on as Dick Johnson… clear voice and charming stage presence.”